Cultural Landscape of Heritage Management in Indonesia: An Archaeological Perspective
by Daud Aris Tanudirjo
In the Archaeological history, landscape has always been considered as an important aspect in giving meaning to an artefact or a site. It provides a condition by which archaeologists can contextualized their findings. Even in the end of 19th Century, a pioneer of field archaeology, General Pitt Rivers, has prompted the role of natural settings in archaeological explanation (Thomas, 2001). Nevertheless, strange enough, in cultural resource management such a natural context is often neglected. This is partly because in the past archaeologists were concerned more on cultural remains. Though the natural setting of the cultural remains were admittedly important, it is still considered as natural rather than cultural. Hence, it was treated as different and separate entity.
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The reaction in the US to the events of 2003 has been mired in controversy. After the intial confusion in the media during which it was feared the National Museum had been robbed bare, a number of conservative, pro-Iraq War political commentators falsely claimed that hardly anything had been taken. In other words, the museum theft story supposedly had been just a ploy by Ba’athists to make the Bush administration look bad. Western archaeologists and scholars had been either willing or naïve participants in this fraud, so it was said. It is hard to believe but this myth is still being repeated every so often. In general, the US academic community reacted with horror and anger. Notwithstanding serious pre-war efforts to educate both the Pentagon and the State Department about their responsibilities toward the heritage of Iraq once the war would begin, it was apparent that the commanders on the battlefield had not been instructed to safeguard archaeological and cultural sites. The one positive effect from the consultations was that Coalition airplanes did manage to avoid bombing sensitive heritage sites.

